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Life Works [ top ] Criticism Samuel Beckett, review of Intercessions, in transition 1937, rep. in Ruby Cohn, ed., Disjecta: Miscellaneous Writings and A Dramatic Fragment (London: John Calder 1983), pp.91-94. Beckett, review of Intercessions, in Times Literary Supplement (23 Oct. 1937), p.786. Randell Jarrell, Poets, in Poetry and the Age (NY: Knopf 1953), pp.220-36. Brian Coffey, Of Denis Devlin, Vestiges, Sentences, Presages, Irish University Review, 2 No.10 (1965), pp.3-18. Frank Kernoswki, The Fabulous Reality of Denis Devlin, Sewanee Review (Winter 1973), pp.113-122. Mary Salmon, Modern Pilgrimage, Denis Devlins Lough Derg, Studies (Spring 1973), pp.75-83. [Brian Coffey, ed.,] Advent VI, Denis Devlin Special Issue (Southampton: Advent Books 1976) [incl. Robert Welch, Devlins Rhythm, pp.14-16]. Brian Coffey, Denis Devlin, Poet of Distance, in Andrew Carpenter, ed., Place Personality, and the Irish Writer (Colin Smythe 1977), pp.137-158. Robert Welch, Language as a Pilgrimage: Lough Derg Poems of Patrick Kavanagh and Denis Devlin, in The Irish University Review, Vol. 13, No.1 (?1978), pp.54-66. William Downey, Thinking of Denis Devlin, Eire-Ireland, 14, 1 (1979), pp.102-14. Stan Smith, "Precarious Guest, The Poetry of Denis Devlin, in The Irish University Review, Vol. 8, No.1 (1987), pp.51-67. J. C. C. Mays, Introduction to The Collected Poems of Denis Devlin (Dublin: Dedalus Press 1989), pp.22-45. Robert Welch, My Present Unresolved: Denis Devlin and Montaigne, in Barbara Hayley & Christopher Murray, eds., Ireland and France - A Bountiful Friendship: Essays in Honour of Patrick Rafroidi (Colin Smythe 1992), pp.137-43. Maurice Harmon, review of Denis Devlin, Translations into English, from French, German and Italian Poetry, in Books Ireland (May 1993). Alex Davis, "Foreign and Credible": Denis Devlins Modernism, in Éire-Ireland, 30, 2 (Summer 1995), pp.131-48. Alex Davis, A Broken Line: Denis Devlin and Irish Poetic Modernism (Dublin: UCD Press 2000), 192pp. Alex Davis, The Irish Modernists and Their Legacy, in Matthew Campbell, ed., The Cambridge Companion to Contemporary Irish Poetry (Cambridge UP 2003), pp.76-93, espec. p.77ff. Dillon Johnston, Devlin and Montague, Irish Poetry After Joyce (Dublin: Dolmen Press; Notre Dame UP 1985; rep. Syracuse 1996), pp.167-203. John Montague, The Impact of International Poetry on Irish Writing, in Sean Lucy, ed., Irish Poets in English (Cork: RTÉ/Mercier Press 1973), pp.144-58 [rep. in The Figure in the Cave and Other Essays, Syracuse UP 1989, pp.208-20. Patricia Coughlan & Alex Davis, ed., Modernism in Ireland: The Poetry of the 1930s (Cork UP 1995) [essays on MacGreevy, Devlin, Beckett, and Coffey by Coughlan, Davis, Terence Brown; Tim Armstrong; Anne Fogarty; W. J. McCormack, Trevor Joyce, et al.] Field Day Anthology of Irish Writing, gen. ed., Seamus Deane, 1991, Vol. 3. John Montague, The Impact of International Modern Poetry on Irish Writing, in Seán Lucy, ed., Irish Poets in English (Cork: Mercier 1972), pp.144-58. Robert Welch, Changing States: Transformations in Modern Irish Writing (London: Routledge 1993). Gerald Dawe, review of Alex Davis, A Broken Line: Denis Devlin and Irish Poetic Modernism (2000), with Donal Moriarty, The Art of Brian Coffey (2000), in The Irish Times, 26 Aug. 2000. [ top ] Notes Robert Hogan, ed., Dictionary of Irish Literature (Dublin: Gill & Macmillan 1979), entry on Montague by Nora F. Lindstrom. John Montague, ed., Faber Book of Irish Verse (Londo: Faber & Faber 1974), incls. "Encounter"; "Lough Derg"; "Ascension"; "Ankhor Vat"; "Venus of the Salty Shell". Maurice Harmon, ed., Irish Poetry After Yeats: Seven Poets (Wolfhound Press 1979), includes selection.
Murderous angels: The phrase murderous angels in the head, in his poem set in Béal na mBláth (Tomb of Michael Collins), provides the title of a book by Conor Cruise OBrien. Special Number: Collected Poems (1964) was first issued as special issue of University Review, Dublin, 1963, book-form copyright Countess Maria Caren di Gropello; see also a poem in memory of Devlin by Coffey, included in John Montague, ed., Faber Book of Irish Verse (1974), p.293. Randall Jarrell identified a rather poor and arbitrary ear as the defining characteristic of Denis Devlins work. (See Patrick Crotty, review of W. J. McCormack, ed., Ferocious Humanism: An Anthology of Irish Poetry, Dent 2000, in Times Literary Supplement, 2 June 2000, pp.4-5.) [ top ] Princess Grace Irish Library (Monaco) |