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Constance Markievicz [Countess] Life [ top ] Works [ top ] Criticism R. M. Fox, Rebel Irishwomen (Cork: Talbot 1935). Elizabeth Coxhead, Daughters of Erin: Five Women of the Irish Renascence (London: Secker & Warburg 1965). Anne Marreco, The Rebel Countess: Life and Times of Constance Markievicz (London: Weidenfeld Nicholson 1967), & Do. [rep. edn.; Women in History Ser.] (Phoenix 2002), 352pp. Jacqueline Van Voris, Countess de Markievicz in the Service of Ireland (Mass: Amherst 1967). Caitlín Bean Uí Tallamhain, Rós Fiáin Lois an Daill: leabhar beathaisnéise ar Chuntaois Markievicz (Baile Átha Cliath: Clódhanna Teo 1967). Oliver Snoddy, ‘Notes on Literature in Irish Dealing with the Fight for Freedom’, in Éire-Ireland, 3, 2 (Summer 1968), pp. 138-48. Van Voris, Constance de Markievicz: In the Cause of Ireland (Amherst: University of Massachusetts 1968). Eoin. MacWhite, A Russian Pamphlet on Ireland by Count Markievicz, Irish University Review, 1, 1 (Autumn 1970), pp.98-110. E. Ní Eireamhoin, Two Great Irishwomen (Dublin: Fallon 1971); Diana Norman, Terrible Beauty: A Life of Constance Markievicz (London: Hodder & Stoughton 1987; rep. Poolbeg 1991), 320pp. Anne Haverty, Countess Markievicz: An Independent Life (London: Pandora 1988); [q.a.], Literary Works of Con Markievicz, Journal of Irish Literature, XII, 1 (Jan 1989). Ruth Taillon, When History was Made: The Women of 1916 (Belfast: Beyond the Pale Publ. 1996), 158pp. Joe McGowan, Constance Markievicz: The Peoples Countess (Sligo: Markievicz Millenium Comm. 2003), 136pp. Margaretta DArcy, Prison Voice of Con Markievicz [n.d.]. Seán OCasey, Irish Citizen Army (Irish Citizen Army 1919). Joanne Mooney Eichacker, Irish Republican Women in America: Lecture Tours, 1916-1925 (Dublin: IAP 2002), 352pp. [incls. rems. on Constance Markievicz, et al.]. Dermot James, The Gore-Booths of Lissadell (Woodfield Press 2004), 400pp. Eoin MacWhite, ‘A Russian Pamphlet on Ireland by Count Markievicz’, in Irish University Review (Spring/Summer 1971), pp.98ff. Liam OFlaherty (The Martyr, 1933). Maurice Headlam, Irish Reminiscences (1947). Cheryl Herr, For the Land They Loved, Syracuse UP 1991). C. L. Innes, A Voice in Directing the Affairs of Ireland, LIrlande libre, The Shan Van Vocht, and Bean na h-Eireann, in Paul Hyland and Neil Sammells, eds., Irish Writing, Subversion and Exile (Macmillan 1991), pp.146-58. [ top ] Notes Seamus Deane, gen. ed., Field Day Anthology of Irish Writing (Derry: Field Day 1991), Vol. 2, ftn., pp.815-16, in reference to Yeatss poem: The gazelle is Eva ... poet, later trade union organiser in Britain.
W. B. Yeats, “On a Political Prisoner” [... Recall the years before her mind / Became a bitter, an abstract thing], and In Memory of Eva Gore-Booth and Countess Markievicz [The light of evening, Lissadell, / Great windows, open to the south, / Two girls in silk kimonos, both / Beautiful, one a gazelle; also, The innocent and the beautiful / Have no enemy but time ... .] Huckster’s loins?: A contemporary caricature of Countess Markievicz represents her as Madame Przemysl denoting trade in Polish [information supplied by Simon Milligan, UUC.] The Memory of the Dead, a play by Countess Markievicz for the the Irish Repertory Co., concerns a rebel leader who is saved by a patriot girl. In real life Helena Molony, who played the girl, prayed over Sean Connolly, who played the hero, as he lay dying, the first casualty of the 1916 Rising. Of any account?: Marcus Wheeler (Belfast) writes in references to a letter of Sir Josslyn Gore-Booth (Irish Times, 25 July 2002) about the status of his great-aunt Constance following her marriage in 1900 to the Polish painter and playwright Kazimierz Markiewicz: He rightly casts doubt on Markiewicz's claim to have been a Count. Authoritative Polish sources state that the Markiewicz family belonged to the szlachta or gentry and that - perhaps by virtue of this - Kazimierz certainly used the title of "Count", but without right. In fact, it appears, this title was not native to Poland; and Poles could have acquired it legitimately only as citizens of the Russian or Austro-Hungarian Empires or as recipients of an honour conferred by the Holy See. Cathach Books, Cat. No. 12, lists a copy of Maurice Maeterlinck, Aglavaine and Selysette, a play in five acts (1891), signed by C. Gore-Booth, with ded. in French on frontleaf. [ top ] Princess Grace Irish Library (Monaco) |