Life
1810-1894 [var. 1809; pseud. Jonathan Freke Slingsby]; b. Limerick; ed.
TCD, BA 1832; bar, 1833; hon. degrees of LLB and LLD, 1852; permanent
official in courts of Chancery; Registrar of Rolls Court, 1867; studied
bar in London; frequent poetic contrib. ‘The Spinning Wheel’
and other songs to Dublin University Magazine as “Jonathan
Freke Slingsby”; issued The Slingsby Papers (1852), poems
and prose; also Ravenscroft Hall (1852), a poem; became editor
of Dublin University Magazine after Charles Lever; ed. Gulliver’s
Travels (1864), Goldsmith’s Works (1864-65) and Moore’s
Irish Melodies (1867); wrote entries for Imperial Dictionary
of Universal Biography; later wrote for Cassell & Co.; d. Bishop’s
Stortford, 19 Jan. CAB DNB PI IF2 DIB DIW RAF MKA OCIL
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Works
Harlequin Blunderbore, or the Enchanted Faun (Dublin 1843); Harlequin
Fulminoso, or the Ganders of Glena Fearna, a Christmas Pantomime (1851);
Slingsby Papers ... (McGlashan 1852); Poems (1854), et al.;
as Jonathan Freke Slingsby [Christmas column] in Dublin University
Magazine, Vol. XLVII, Jan.-June (Dublin: Hodges, Smith & Co.;
London: Hurst and Blackett 1856).
Title details
The British Isles, in Picturesque Europe [ser.],
(Cassell, Peter & Galpin n.d. [c.1880]), 12o; ill. by many of the
most eminent artists; ‘West of Ireland’ [Chap. 2], by John Francis
Waller [subsigned end], pp.30-55; cites Otway, Sir William Wilde, Petrie,
Sir Bernard Burke, Mr Willis [‘Dunluce the most picturesque ruin
he ever saw’]; mentions the restoration of Cong by Sir B[enjamin]
L. Guinness, and the saying of Sheridan’s Sir Lucius O’Trigger
[‘snug lying at the Abbey’]; the tour proceeds from Clare to
Dunseverick, and takes in also Howth and Dublin Bay [‘ranks amongst
the most beautiful bays in the world [with] Naples ... Navarino’],
‘We had in view to select representative specimens, both natural
and artistic, to illustrate the varied scenery of the country in its beauty
and its ruggedness, its richness and its sterility, its grandeur and its
dissolution; its mountains and its valleys; its lakes and bays; its inland
loveliness and its bold, wild, ocean-washed coasts; its religious edifices;
its mouldering strongholds; its geology, its history, and antiquities;
contented are we if we have done this and shown that Ireland deserves
to occupy no mean place in Picturesque Europe [56 END]
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Criticism
[Obit.,] Athenaeum, 3 Feb. 1894, p.149; Aubrey de Vere [Hunt],
‘Lines on Death of J. T. Waller’, in National Magazine
(1830), p.353.
Thomas E. Webb, ‘Our Portrait Gallery,’ 2nd ser., Dublin University Magazine 83 (1874);
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Notes
Brian McKenna, Irish Literature, 1800-1875: A Guide to Information
Sources (Detroit: Gale Research Co. 1978), calls him a prolific contrib.
to Dublin University Magazine for 40 years from 1833; lists works,
Harlequin Blunderbore, or the Enchanted Faun (Dublin 1843); Harlequin
Fulminoso, or the Ganders of Glena Fearna, a Christmas Pantomime (1851);
Slingsby Papers ... (McGlashan 1852); Poems (1854), et al.;
bibl. Thomas E. Webb, ‘Our Portrait Gallery,’ 2nd ser., Dublin
University Magazine 83 (1874); also Athenaeum, 3 Feb. 1894,
p.149.
John Cooke, Dublin Book of Irish Verse bio-dates 1810-1894; ‘Kitty Neil’; ‘Quien Sabe?’, from Peter Brown; ‘A Waking Dream’ [‘I dream of heaven,/Far beyond those tranquil skies ... My dead, in robes of gold and white,/Alive before my eyes.’)
Robert Farren, Course of Irish Verse (1948), He wrote the still-sung ‘Spinning-Wheel’ which, running like treadle and wheel, goes Irishly ... not great verse, but melodious, racy song ...’ (p.11).
Barbara Hayley, ‘Irish Periodicals’, in Anglo-Irish Studies, ii, (1976) [pp.83-108], under Dublin University Magazine (p.94-97): Irish founders include Otway, Butt, John Anster, Samuel O’Sullivan, Sam. Ferguson, William Archer Butler, and John Francis Waller, who Hayley collectively characterises as young dons and undergraduates in protest against pro-Catholic liberalism of University authorities; over the years by publishing Irish work ... it established that an Irish literary world did exist. they firm state, ‘We are conservatives; and no feeble vacillation shall dishonour our steady and upright strength. We cannot assent to the suspicious friendship that would counsel an impotent moderation, where vigour and intrepid activity would prompt to rough collision. (Dublin University Magazine, vol. 9 No. 31, Mar 1837, p.365. FURTHER, From 1845 to 1861 there were a succession of editors, and the magazine was less aggressive, less national, reviving its attack on Irish literary and political subjects under Le Fanu, who sold after ten years to John F. Waller for £1,500, who edited it for seven years, allowing it to decline before sale to Kennington Cooke in 1877, the final year of publication. (Hayley, bibl., Michael Sadleir, ‘Dublin University Magazine’, Bibliographical Society of Ireland, vol. 5, No. 4 (1938).
Dictionary of National Biography, John Francis Waller, Hon.
LLD, 1852, Dublin University Magazine, &c.; lived latterly
as man of letters in London. See also DNB entry on Sir Hardress
Waller (1604?-1666?), regicide, acquired Castletown, Limerick, by marriage,
1630; colonel against Irish reels, 1641; visited London to ask help of
Charles against rebels, 1641; governor of cork, 1644; commanded parliamentary
regt. in England, April 1645-49; one of Charles I’s judges, 1649;
Maj.-Gen. in re-conquest of Ireland, 1650-51; supported Cromwell, 1653,
granted lands in Co. Limerick, 1657; seized Dublin Castle, 1659; sent
to England, 1659; withdrew to France, c.1660; stood his trial as regicide,
Oct. 1660; imprisoned, Oct. 1660 till death. [JMC bio-date 1810-94]
Charles Read, ed., A Cabinet of Irish Literature (3 vols., 1876-78) selects ‘The Spinning-wheel Song’ [‘Mellow the moonlight to shine is beginning/Close my the window young Eileen is spinning/Bent o’er the fire her blind grandmother, sitting/Is croaning and moaning, and drowsily knotting/"Eileen, achorea, I hear some one tapping ..."/There’s a form at the casement - the form of her true love/And he whispers, with face bent, "I’m waiting for you, love"/ ... Noiseless and lighty to the lattice above her/The maid steps - then leaps to the arms of her lover.’]; ‘A Plea for Irish Song [Contents; recte ‘Union’]; ‘The song of the Glass’; ‘Welcome as the Flowers in May’.
D. J. O’Donoghue, Poets of Ireland (Dublin: Hodges Figgis 1912),, The Slingsby Papers, prose and verse (Dublin 1852); Ravenscroft Hall and other poems (1852); The Dead Bridal, A tale of Venice, verse (1856); Poems (1854, 1863); Occasional Odes (186?) Peter Brown, Poet and Peripatetic, verse (1872); St. Patrick’s Day in my Own Parlour (Dublin [1852]?), Harlequin Blunderbore or the Enchanted Faun, pantomime (prod. Dub 1843); Festival Tales (1873); contrib. Dublin University Magazine as ‘Iota’ and ‘Jonathan Freke Slingsby,’ and became ed. of Dublin University Magazine after Lever; contrib. extensively to Cassells’ publications [see infra] and wrote commemorative poetry etc.; d. 1894. Article on Waller in Dublin University Magazine Mar 1874 by Thom. E. Webb.
Justin McCarthy, ed., Irish Literature (Washington: Catholic Univ. of America 1904) dates unnamed second collection 1854 [VAR]; also ‘Dead Bridal’, 1856; JMC selects ‘Kitty Neal’ [‘Ah sweet Kitty Neal, rise up from that wheel,/Your neat little foot will be wearing from spinning;/Come, trip down with me to the sycamore tree/Half the parish is there, and the dance is beginning/ ... ... No such sight can be found as an Irish lass dancing’ ([bold type); ... ‘Dance light, for my heart it lies under your feet, love’ (ital.)]
Desmond Clarke, Ireland in Fiction [Pt II] (Cork: Royal Carbery 1985), get things the wrong way round [‘pseud. of Jon. Freke Slingsby, 1810-1894’]; d. England; ed. TCD, Irish bar; ed. Dublin University Magazine; adds, The Slingsby Papers, papers sentimental, pathetic, humorous with poems and stories reprinted from the Dublin University Magazine (Dublin: McGlashan & Gill 1852), 144pp.; St. Patrick’s Day in My Own Parlour (Dublin: McGlashan & Gill 1852), 144pp. [pag. sic].
Patrick Rafroidi, Irish Literature in English: The Romantic Period, 1789-1850 (Gerrards Cross: Colin Smythe 1980), b. Limerick, Bar; Hon. Sec. RDS and Vice-President RIA, 1864; settled in England on retirement. Slingsby Papers (M’Glashan 1852) Occasional Odes (Hodges Smith & Co. 1864) 23p.[?]; compilations (cf. Imperial Dictionary of Universal Biography, Glasgow 1857-63). COMM, Th. E. Webb, The Dublin University Magazine, March 1874.
Jonathan Swift: Waller’s biographical account of Swift
for an edition of Gulliver’s Travels in 1864 is noticed with
reprint of an illustration of the ghost of Stella visiting the Dean, in History Ireland (Winter 1995, p.25).
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Princess Grace Irish Library (Monaco)